| en say that my greatest wealth is my library of | | | | all she had. All that she suffered with her father |
| writing books. One day, I realized that only three | | | | raping and impregnating her twice, caused her to |
| of them ever mentioned the most important | | | | feel ugly and black just like her father said. Out of |
| secret of good writing. A careful search turned up | | | | that background, she was motivated to accept |
| repeated discussions on the following: plot, | | | | her husband’s continued physical and |
| dialogue, characterization, description, viewpoint, | | | | emotional abuse. Even her stepchildren abused her. |
| pace and tone, and voice. | | | | When we look at that back-story, we know she |
| Other topics turned up more discussions: how to | | | | could have no sense of self-worth. The man she |
| write mysteries, how to write romance, how to | | | | married allowed his girlfriend to come and live in |
| write drama, how to format manuscripts, create | | | | their house and Celie cooked and cared for her. |
| believable characters, how to get paid, how to | | | | Celie never gave up looking for her sister and |
| write the memoir, how to write the breakout | | | | children, though. They were what mattered to hr. |
| novel, crafting scenes, editing fiction, and on and | | | | Finally, her husband’s girlfriend, Shug |
| on. In all of that, I found only one paragraph on | | | | Avery, gave her a sense of self-esteem and |
| the greatest secret in writing a novel. It was only | | | | courage. Then she created a clothes designing |
| a half page, and in another book, honorable | | | | career. Her motivation was to stay alive so she |
| mention. | | | | could see her sister and children. |
| After years of studying good writing, I wondered | | | | In my novel, The Mayor's Wife Wore Sapphires, |
| how that could be when without it, stories are | | | | Indigo Tate wants Black people to have a better |
| just paper dolls being pushed through a benign plot | | | | image all over the world. She schemes her |
| that never quite delivers. | | | | husband into running for congress to get her out |
| What happened that caused your character to | | | | of Compton and into Washington, D.C. society, |
| want something so badly that his or her action | | | | where he could influence the funding of their |
| could have been only what was played out? That | | | | training program in Compton. When that falls |
| secret is called—MOTIVATION. | | | | through, she schemes to get the press to make |
| I'll use the books I consider well written, | | | | Compton a Black Camelot. Since she can’t |
| fascinating, and standing the test of time: Gone | | | | get out, her city just has to become something |
| With the Wind by Margaret Mitchell. Scarlett | | | | special. She suffers every ridicule and tragedy |
| O'Hara, her main character wanted a man who | | | | because of that desire. Ultimately, she becomes |
| didn't want to marry her, Ashley Wilkes. And she | | | | the mayor and that motivation to succeed still |
| was going to get him at all cost. He was her | | | | burns hot within her. |
| motivation to do every unthinkable thing she did. | | | | When we look at Indigo’s background, we |
| She married Ashley's brother-in-law to be near | | | | learn that she lived in a fine house until she was |
| him. She went from Atlanta to Savannah to stay | | | | ten when her father gambled away the family |
| with Aunt Pitty to stay with Ashley's wife, so she | | | | home. One day the white sheriff came and threw |
| could keep tabs on him when he would come | | | | the family out, and she had to move into a small, |
| home on furlough from the Civil War. She fought | | | | dark house with a leaking tin roof. She began to |
| for Tara, her family's plantation, for the sake of | | | | dream of respect. She promised herself that she'd |
| Ashley. She snatched her sister's beau and | | | | never give up on becoming somebody--somebody |
| married him to save Tara from a tax sale, | | | | significant. Somebody who could never be thrown |
| knowing that Ashley was coming back from the | | | | out of her home. Nothing could stop her from |
| war and would need a gentleman’s | | | | wanting Compton to be Camelot, wanting her |
| plantation. He could still be the southern gentleman | | | | home to be one of the finest in America. She |
| if she owned Tara. She was over the top in love | | | | brought the opera, the symphony and the arts to |
| with a man who was never going to marry her. | | | | town—all motivated by her need to heal |
| Along with what drives a person to do what he | | | | the pain of being thrown out of her lovely home |
| or she does, we have to understand the back | | | | as a child. |
| story that caused them to be like they are: | | | | What is your character’s motivation? |
| Scarlett was a spoiled brat, a daddy’s girl, | | | | Most beginning writers have no idea what their |
| rich, charming and lovely, the daughter of an Irish | | | | characters want. They just write a lot of events |
| father who doted on her and gave her everything | | | | and the story comes to a big climax out of thin |
| she wanted. She was also used to getting the | | | | air. The ending has nothing to do with the |
| men she wanted. She wanted Ashley, but he | | | | character’s desire. The story can never |
| wanted his cousin, a simple girl, genteel and quiet. | | | | add up to more than the sum of its parts. It |
| Scarlett, though, was the one who all the boys | | | | never quite becomes an organic whole, where all |
| wanted to sit with at the barbecues. Why not | | | | the chapters have been melded together like wet |
| Ashley? Having ASHLEY was her motivation. | | | | cement edges. |
| Always Ashley! | | | | I guarantee you this: If you will sit down and write |
| Ashley married his cousin, Melanie, but that didn't | | | | what your character wants more than anything in |
| stop Scarlett. She was determined to marry him, | | | | the world, based on why they want it, your story |
| and we followed her through 700 pages to find | | | | will lead to a natural conclusion. It will last in the |
| out if she gets him. That was the heart and spine | | | | reader’s mind for a long, long time. People |
| of that story. The ravages of war were just | | | | will tie into the story’s naturalness and |
| backdrops, staging. | | | | stay with you to the end because they accept it |
| From Scarlett’s background, all she did | | | | as real. Isn't that what all of us writers want? |
| was naturally motivated. And knowing her | | | | END### |
| motivation caused the tension. What motivates | | | | You have my permission to use this article FREE |
| your main character? Let’s look at a few | | | | if you do not change any part of it--my name or |
| examples of motivation to release it into your | | | | website address. If you use it, you are obligated |
| writing habit. | | | | to notify me at It bears copyright under the |
| The Color Purple, by Alice Walker: Celie wanted to | | | | following website: |
| have her children and her sister near her. It was | | | | Thank you. |